Arcade

Paris, September 25th - October 6th, 2002

Arcade is the brand new light installation of Project Blinkenlights. Following up on the original Blinkenlights installation in Berlin, Arcade marks a new step in interactive light installations in public space.

In the context of the Nuit Blanche art festival in Paris, the team transforms the Tower T2 of the Bibliothèque nationale de France into a huge computer screen. With a matrix of 20 x 26 windows (resulting in 520 directly addressable pixels) and a size of 3370m2, the Arcade installation is positioned to be world's biggest computer screen ever.

Eleven Nights

The installation starts on September 25th, 2002 running eleven nights until the official Nuit Blanche happening at October 5th/6th. During this time span, the installation will present an ever-changing kaleidoscope of animations and interactive applications.

Arcade promotes a new series of classic computer games to run on the building, allowing everybody to play games on the building with his mobile phone. Among others, the all-time favorite pixel puzzle game Tetris can be played using nothing but a mobile phone.

With its newly designed light control technology, the Blinkenlights team is able to smoothly dim the brightness of each pixel. This allows for sophisticated, large-scale animations glowing into the Paris night life.

Public Participation

Using the newly created ArcadePaint program - running on Mac OS and Windows operating systems - everybody can start creating his own pictures and animations immediately. The resulting files can be sent to us by e-mail to become part of the ever-growing playlist of animations to be displayed during the lifespan of Arcade.

Programmers might check out opportunities to create animations directly by creating the simple, XML-based file format, which is a natural evolution of the original Blinkenlights Movies file format.

Arcade Live

If you want to see Arcade live you should go to Paris and have a look for yourself. For those who do not have the opportunity to do this, we are publishing photos and videos of our installation. We try hard to document as much as possible.

The Live Streaming that was in place for the 11 days is no longer in operation. But we are working on providing the archives to you. This will take some time. Stay tuned.

Arcade Party 5.10.2002

The last night of our installation gets celebrated at Quai de Bercy - this means directly at the shore of the Seine opposite Arcade. Everybody is invited to participate. There will great dance music the whole night (Roussia/Paris, Lonesome Rocket/Berlin, Neal White/Berlin) und video animations by proto.beamaz.

During the party we will visualize the party's music with Arcade in realtime. We will also allow the VJ to mix live on the facade. The installation becomes a part of the party, the party becomes a part of the installation.

Videos

Here you find some low quality videos taken with our digital toys: http://ftp.acc.umu.se/mirror/media/Blinkenlights/

Photos

The following pictures are by Fr Harald & Erhard Fotografie.

Online publication is free if authors are mentioned correspondingly and notification mail with full URL is sent to contact@blinkenlights.de.

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Arcade Games

Arcade is an interactive light installation. Using your mobile phone, you can become a part of the event at any time.

Tetris

Tetris ist one of the most popular computer games of the last 20 years. Since its invention in 1985 it has found its way on almost any computer system and game console in one form or the other. With Arcade you can play Tetris with your mobile phone - on a playground 3370 m2 in size.

Whoever stands in front of Bibliothèque nationale de France can connect himself with the building by dialing +33 (1) 44 24 73 50. The current show will be interrupted and the text "TETRIS" announces that the game can begin.

Tetris requires to position the falling elements that they form complete rows. With the key 4 and 6 on your keypad the elements can be moved left and right respectively. With key 5 you can rotate the element counter-clockwise. If you have found the desired position, you can drop the element immediately by typing 8.

Closed rows disappear completely and the upper rows drop down so that more space is available for new elements. The game ends if you fail to close the rows and the elements stack and reach the top. Arcade then disconnects your phone allows the next person to go for another game of Tetris.

Pong

Pong is on of the first Arcade games that was already center of our Blinkenlights installation in Berlin. Pong gets activated by calling +33 (1) 44 24 73 51.

With the keys 5 and 8 you control your paddle up and down. Always try to push back the ball to the other side. Pong can be played by up to two players. The first caller plays against the computer. The second caller automatically takes over the computer's paddle so that both callers play against each other.

Breakout

Breakout is another hit of the simple pixel games. You have to clear the pixel mass in the upper area. Breakout gets activated by calling +33 (1) 44 24 73 52.

At the beginning of the game the ball must be fired off first. You shoot to the upper left using key 1 and to the upper right with 3. Using the keys 4 and 6 you can slide your paddle to the left and right (7 and 9 move it in single steps accordingly). You must push back the ball in to the upper area. You win a round when all bricks have been eliminated.

Breakout was programmed by 1stein using the Blinkenlights Library.

Pacman

Pacman is yet another Arcade classic everybody knows. Go for a pixel hunt and avoid the monsters. Pacman gets activated by calling +33 (1) 44 24 73 53.

Keys 2 and 8 direct Pacman upwards and downwards, the keys 4 and 6 move it to the left and right. By moving Pacman throught the openings and the border you can change to the respective opposite side of the playground.

Pacman was programmed by 1stein using the Blinkenlights Library.

Aether Induction House

http://www.aether.hu/inductionhouse/index.html
請務必連到網址去看完整版的介紹，你就會知道所謂的把所謂的互動、媒體、空間設計"有意義的"完整實踐出來應該要有的程度！

Aether Induction HouseGeneral Description

Aether Induction House is an experimental architecture project consisting of three prototypes. Dealing with mediated spaces, existences and space interpretations. Focusing on transforming the primarily visual digital environment into a physical and tactile experience, finding an architectural and tectonic embodiment. Have computers and software been promoted to the role of “assistants”, tools that have important effects on the design? Or what are the perspectives and limitations of such servo mechanisms? Autonomous architecture? Building printers? Widespread solutions offered by software guides and wizards? The disappearance of the architect, or its role shifting to the design of algorithms that are able to figure out creative solutions without human intervention?

Here we are presenting three constructed architectural prototypes discussing the above questions; built metaphorical structures that bring together these design aspects. Hybrid constructions, architectural models, engineered structures, electronics and media design, all combined to create the experiments.Our model of work is borrowed from complexity science - systems thinking. Several modules of concepts and constructions are produced, informing each other back and forth, developing as a whole system with no pre-set hierarchy. The conceptual structure develops and changes in relation of the building process. On the threshold of architecture, media design, engineering we try to talk about a new and different relationship between technology and design. The role and effect of technology reveals a more profound relation between design and design tools, and to quote Vilém Flusser here: we try to "turn the automatic apparatus against automation".

Prototyping architecture – Engineering media
To find these new qualities we rely on experiments and testing on a 1 to 1 scale. Even if building installations has physical limits in scale, the hybrid experience becomes real. The physical structures have mathematical and computational inner logics, results of algorithmic processes based on our decisions; they are generated and processed forms. They have to function as physical structures as well as projected structures. The projections become volumetric, the physical structures are dissolved in the flux of interactive media, and media become actual and spatial. New qualities emerge that do not come from the physical structure or from the media, these qualities are result of a symbiosis. The interaction we create is symbolic, it is not really trying to function or process information, but to transform the physical entity in a non physical way. W hile contemporary interaction design usually takes on a very generic form, object, and invents a very unique interaction, we go from the other end; we create structures and materiality that are unique with their hybrid logic of being a media space as well as an architectural structure, but in our case the interaction model is more generic.




Version oneThe Fish tank

The geometric principles of the prototypes come from the development of the same idea: deconstructing a flat screen in three dimensions within the projection cone. Fragments of the screen displaced into the depth of projected light have to follow the rule of shadows, once a ray of light is picked up, other objects can't be placed on the same ray. This is the main criteria for engineering the space, but depending on the initial decisions this can result in diverse deconstruction setups. The first deconstruction models became the base of the latter prototype geometries.



The first prototype was 100X100X60 cm in size, built from a metal structure and textile strips. The interaction electronics and interfaces were all built by ourselves, and d ue to our limitations in programming and hardware skills, we used Macromedia Flash as a projection engine. To interface this program to sensors, we used a computer mouse, and a small device that was clicking Morse code messages on the Mouse button, where flash was listening to those. A human protocol on a human interface. Low tech and DIY (Do It Yourself). It started out as a necessity than became a choice for our technologies. Through constant re-appropriation of existing technologies we create new interfaces that hold connotations towards their original use, so stay familiar, but are placed into a new context.



The first prototype was built as a foldout version of the computer screen, transforming digital content into spatial experience. As a result we discovered a new materiality that turned a physical entity into a spatial media field in a surreal and surprising way. On the surface little interactive insects were sliding around as on water, reacting to the electromagnetic waves of the mobile phones and the movement of the visitors.
The fish tank was built in Barcelona in the metal workshop of Diego Herrero, in Budapest and was exhibited at the Közben exhibition that has featured the last 10 years of the Hungarian architecture at Mucsarnok (Kunsthalle Budapest) in October 2003.


Version TwoDistributed Projection Structure

Departing from the experiences of the first built prototype we designed a second, larger and more complex low budget installation. We wanted to try a simpler geometry to demonstrate the spatial rules in a cleaner and more abstract way; also with a more complex interaction and a more abstract ambient media design concentrated on the materiality. This time we split up the projection surface to 300 physical pixels and distributed them in 3d by an algorithmic order. The 5X5X0.8 cm transparent plastic elements, polished on one side created a dense volumetric structure. The pixels were supported by 3mm stainless steel bars that were fixed in perforated steel sheets on the ground. This projection structure embedded the media in a surprising way: the colour layers moving in space created a projected volume changing smoothly influenced by the interaction through the visitors' movements measured by ultrasonic sensors. The interaction and media designs were made in Macromedia Flash with the intention to align the projection with different parts of the built structure. This way we could have tests beyond the physical transformation of the projected media: reaching precision on a built structure in relation to the resolution of media.



This second prototype was built in Barcelona with the kind help of Fabian Asunción and was tested in Stockholm in the Smart Studio and exhibited on the Pixelache audiovisual architecture festival in Helsinki at the Kiasma Centre for Contemporary Art in April 2004.


Version ThreeThe Fishing Kit

The third prototype has participated between the 11th and 23rd of August at the International Symposium on Electronic Art ISEA2004 in Helsinki and was exhibited at Gallery U at the Hungarian Cultural Institute.



This construction was the largest of the three: The 300X300X600 cm self-tensioned structure was made out of fishing rods, plastic strings, led weights, lambing gums and metal rings. For the projection bands we used double-folded cash register paper rolls that were hanging in the necessary parabolic shapes for the exact projection. The bands are positioned and sustained by the weights (approximately 1kg) and strings. The media here was designed by Bengt Sjölén, independent gaming technology researcher, using OpenGL, computer vision and Linux. The media was connected through small cameras to its environment for fast and responsive interaction, the 3d texture changes in relation to the built 3 dimensional structure.

These three installations were produced in a collaborative, developed amongst Barcelona Budapest and Stockholm over the internet, with meetings concentrated on construction periods. Production credits: aether architecture: Péter Hudini, Anita Pozna, Adam Somlai-Fischer, and joining Bengt Sjölén.



The Prototypes

Induction House V3, the Fishing Kit --> see more night / day



Induction House V2, Distributed Projection Structure --> see more




Induction House V1, The Fish Tank --> see more

Texts Three constructed architectural prototypes discussing the above questions; built metaphorical structures that bring together these design aspects. Hybrid constructions, architectural models, engineered structures, electronics and media design, all combined to create the experiments. --> Read more Low Tech. Example: In the first two versions we used our own non-efficient technology, the Morse-mouse. Due to our limitations in programming and hardware skills, we use Flash as a projection engine, and to interface this program to sensors, we use a computer mouse, and a small device that is clicking Morse code messages on the Mouse button, where flash is listening to those. A human protocol on a human interface. --> Read more

diagram showing all three installations comparing physical and resolution values --> See it large

Who The project is developed by aether architecture, www.aether.hu Adam Somlai-Fischer, Péter Sándor Nagy and Anita Pozna. Aether architecture www.aether.hu is an adventurous architecture practice and collaborative. Our focus is on design research relating to spatialities both in actual and virtual environments with a driving force to create a valid architectural response to the rapidly changing social spaces of the information and media society, where information and its re-organizing effects have dramatically altered our perception and understanding of spaces. Such new architectures are not yet present, so to test the new experiences, our investigations are carried out through the making of architecture prototypes, installations that embed both physical design and engineering as well as computer programming and graphics, etc to various degrees. Our media design utilizes low-tech solutions by re-appropriating existing tools and technologies for new functionalities. These installations are then presented to the public, where exhibitions are used as a test bed for later evaluation, how certain issues and spatialities are responded to by visitors and the professional discourse. Besides design research aether architecture also produces client work that is strongly informed by our investigations, has an experimental edge to it. For Induction House V3 at ISEA Bengt Sjölén was building the Linux-OpenGL-Computer vision engine. Bengt Sjölén, an independent game technology researcher, born in Sweden in 1972, has been programming games since he was just 10 years old, starting with assembler on a Sinclair ZX Spectrum just because he was bored with the games he had. Bengt's work range from low-level hardware reverse-engineering to video graphics and conceptual 3d projections via game engines, physics simulations, audio software, mobile phone technology and linguistics. He worked for 5 years on Game Design Sweden and later Netbabyworld, designing and implementing 3D multiplayer game engines for PlayStation, Macintosh, Windows and Linux. He strongly advocates the use of, and contribution to, open-source software and other non-proprietary technologies. bengt@automata.se, www.automata.se, +46 70 740 43 29

strandbeest

Since about ten years Theo Jansen is occupied with the making of a new nature. Not pollen or seeds but plastic yellow tubes are used as the basic matierial of this new nature. He makes skeletons which are able to walk on the wind. Eventualy he wants to put these animals out in herds on the beaches, so they will live their own lives.



The Animaris Rhinoceros Transport is meant for crossing the tundra. Due to the fact that one must wait until strong winds come from the right direction to push the structure, living quarters must be made in the animal to make travel agreeable.
Photo: Courtesy of Lourens van der Klis











http://www.strandbeest.com/animaris%20rhinoceros%20transport_en.html