Friday, February 25, 2005

Porsche's spectacular design for new museum

Porsche's spectacular design for new museum

February 24, 2005 Porsche is presenting to the public the entries of the ten architectural practices that participated in the competition for the planned new Porsche museum building. From today until March 6, the models will be on view daily between 11 am and 6 pm in the Meidinger-Saal in "Haus der Wirtschaft" in Stuttgart. Interested visitors will thus be able to visualise the plans for the Porscheplatz in Stuttgart-Zuffenhausen in detail. The new Porsche museum, which is one of the most spectacular architectural projects in the history of the sports automobile manufacturer, is to be completed in 2007 and is expected to attract over 200,000 visitors each year.

The centrepiece of the exhibition in Stuttgart is the model by the Vienna architect's office Delugan Meissl, which emerged as the winner of Porsche's architectural competition and will undertake the realization of the construction project. A total of 170 European architectural offices had applied for the project, ten of which were selected for participation in the competition by a specialist jury.

At a press conference on the evening before the opening of the exhibition the chairman of the jury and architect Professor (ret.) Fritz Auer (Stuttgart/Munich) highlighted the distinctive features of the winning concept: "With its bold perspectives, the tectonic tension between supports and loads and the intelligently organized interior the winning entry identifies with the Porsche philosophy and product in its own way. The new museum shows that even as David, one does not need to hide from the Goliaths of the industry."


Click image to enlarge


Click image to enlarge


Click image to enlarge

Roman Delugan, co-founder of Delugan Meissl Associated Architects, added: "With our concept we wanted to translate the dynamism of Porsche into architecture. Our objective is to create a place in which sensory experiences can be felt by everybody - those qualities typical of Porsche such as power and passion."

The Delugan Meissl concept is a construction for Porsche's parent plant that will attract attention due to its unconventional form alone. A dynamically shaped monolithic body appears to float above the ground and the first floor level. At first sight, it is a provocative and unusual spectacle, but it is precisely this that appeals to the beholder. Stuttgart's Urban Planning Mayor Matthias Hahn on the new museum: "It is a building with a highly individual architectural accent in Stuttgart's museum landscape which lends Porscheplatz a powerful appearance and frame".

Anton Hunger, Head of Press and Public Relations at Porsche AG, also underlined the special attraction of the new museum at the press conference in Stuttgart: "The architecture of the new museum alone will arouse the curiosity of those who see it to come in - and it will definitely be worth a visit. On approximately 5,000 square meters of exhibition space not only will 80 valuable vehicles and other exhibits from the history of the company be displayed, but also interesting insights provided into the workshop for historic sports cars."

The focus of the exhibition is the period from 1948, when Porsche began producing sports automobiles. A chronological overview enables visitors to follow the history of Porsche's products. In addition, more in-depth information is provided in special topic-based arrangements - on Porsche's motor sport activities for example, or on individual vehicles. The achievements and experiences prior to the production of the first Porsche vehicles in 1948 will also be reflected in the new museum - for example, exhibits such as the wheel hub drive of the Lohner electric car are to be displayed.

Wednesday, February 02, 2005

Drawer-House

Drawer-House

Tokyo

2003.04-2003.11

purpose: private house
location: Mejiro, Toshima-ku Tokyo
main structure: Reinforced Concrete
outer finish Japan Cedar
size of one floor: 63.79m
total size: 162.51m

By condensing the residential functions to one side,
the plan changes its shape by moving in and out
as if it were a drawer.
A simple mechanism, but this adaptive, and flexible space is very effective in the limited housing situation in Tokyo.

SD review 2002 Award winner

GOOD DESIGN AWARD 2004

































Tuesday, February 01, 2005

Ars Electronica Futurelab Projects



The spectrum of projects ranges from the conception and realization of exhibitions to cooperative research undertakings with universities and corporate associates to commissioned works for art installations and presentations.Prospective partners from throughout the private sector approach the Ars Electronica Futurelab with ideas that take shape though collaboration and are brought to fruition by the lab.In addition to commissioned assignments, the Futurelab also pursues its own internal research agenda, the results of which (ARSBox, Palmist, Matrix, etc.) are, in turn, available for use in subsequent projects.At the Ars Electronica Futurelab, prime emphasis is placed on taking an artistic approach to the development of infrastructure and creative content.
The following project navigation display shows how thoroughly the lab's individual areas of expertise are integrated into its respective projects. At the center are those projects in which all fields were involved in the implementation process

內容很多,請自行連過去看每個案子,相當的多元而且有趣

SAP’s Berlin Regional Headquarters

SAP’s Berlin Regional Headquarters With its modern architecture providing a state-of-the-art showcase for new media art, the facility constitutes a tangible expression of the innovative thinking going on at SAP. At the same time, it invites passers-by as well as those here on business to take a fascinating journey of discovery through virtual worlds.


The partnership formed by Ars Electronica and SAP in 2002 was designed as a prototype for new models of cooperation at the interface of art, business, technology and society. The collaboration has ranged from media art presentations and pioneering forms of information visualization to joint research projects and innovative social initiatives.

project

Microphones set up along the street outside the building offer the opportunity to turn voices into instruments. For their installation “The Hidden World of Noise and Voice,” New York media artists Golan Levin and Zachary Lieberman developed software that depicts sounds and noises in virtual space. For instance, snapping your fingers produces tiny graphic explosions, as the previously empty space becomes a richly detailed domain full of fantastic virtual shapes. Rear-projection display units (Mitsubishi DLPs) open up a view into these hidden worlds even under daylight conditions. When night falls, an array of large-format projection screens makes it possible to follow the path of these digital forms throughout the entire building.Rear-projection units arranged in vertical pairs along the facility’s façade display commercial messages throughout the day and open up a completely new approach to advertising. Through their movements, passers-by can get involved in interaction with them.

Merely walking past produces wave motions; gestures are registered by cameras, interpreted, and transformed into wave action on the screens. A wide variety of ripple scenarios are possible depending on the form and intensity of the movements.
Designated surfaces immediately adjacent to the main entrance invite visitors to establish direct physical contact with the building. Heartbeat sensors installed there pick up the pulse of whoever lays his/her hand on the surface; after dark, the beat is broadcast throughout the facility. The projections in the lobby and on the levels directly above it begin to pulse. These interaction possibilities enable everyone to make their own very personal contribution to Berlin’s cityscape by night.

This architecture has provided a tangible platform for the collaborative effort by SAP and Ars Electronica to further the art of tomorrow. The building has been designed to provide a harmonious and interesting working environment for staff members and clients, and to motivate them to apply their own creativity to the work they do and in everyday life.
Outlook for the Future This new media art space has also been designed as a showcase for local and international artists, and thus as an experimental laboratory for artistic works involving new media in public space. Joachim Sauter, a professor at Berlin’s University of the Arts and founder of Art+Com, is currently working with a group of students to plan an event to be staged at this venue. And Andreas Broeckmann, artistic director of Transmediale 2005, has been commissioned to curate a program for SAP’s media art showcase in conjunction with that festival.

















credits

Idea and Concept: Gerfried Stocker, Horst Hörtner, Martin Honzik

Interactive Visuals: Golan Levin, Zachary Lieberman

Projectmanagement: Martin Honzik

Softwaredesign and Development: Wolfgang Ziegler, Peter Brandl, Roland Haring, Christian Naglhofer, Stefan Feldler, Christopher Lindinger, Florian Berger

Interfacedesign and Development: Stefan Feldler, Stefan Mittlböck-Jungwirth, Erwin Reitböck, Dietmar Offenhuber, Peter Freudling, Robert Abt

Virtual Designs and Sketches: Andreas Jalsovec, Peter Freudling, Reinhold Bidner, Helmut Höllerl, Stefan Schilcher, Martin Bruner, Nina Wenhart, Christine Pilsl

Coordination: Yvonne Hauser, Pascal Maresch